street talk.

[Irish-dipstick]

streets be talking ya'll be listening i be glisining
im god blessed since i got second quessed
since i had sohh strenched and stressed.

streets be talking ya'll be listening i be glisining
im god blessed since i got second quessed
since i had sohh strenched and stressed.



for a definition between reality and prision my life
was god given now im red rum spipping a rust gun mic
spittin/...friends aint firends cause friendship is an illusion
all this drama where it came from is confusing im losing
and boosing, snoozing and cruzing death is my only conclusion/
i see peeps in streets killin other citizens stolen gems
on broken hims let the stone fall from a man with no sins
with different t.v spins and names disappeared and hairs trimmed/
im a real prophet but i also gotta make a profit so if i
go material dam rite i wont stop it but i wont forget the
hood ill always shop it if i find a cheap way out ill coop it/
i have a contemp for being poor kiking the door now
im robbing and dealing now even more/
i got a parralel movement to my other im tryin to work it
for my brothers but why bother cause i dont wanna
lose my mama thats bad karma/
i gotta make money its kinda funny that blood money is
still pocket money i rocket honeys with paper money/
now this is street talk down the streets i street walk
i got street talked and street stalked but eventually ill be street chalk.

streets be talking ya'll be listening i be glisining
im god blessed since i got second quessed
since i had sohh strenched and stressed.

streets be talking ya'll be listening i be glisining
im god blessed since i got second quessed
since i had sohh strenched and stressed.

im hoping for a part two but i need to see wat im at one this level

[Irish-dipstick]

your flow is all over the place, terrible

shorten yo lines, leave something to the imagination, make people guess, you don't have to spell everything out word for word

ill do wat i like u hypacrit thatz wat an artist is about if u knew i would comment u weak cun't

[Irish-dipstick]

i dont say anything anymore u tit so how could i be annoying ur the child here coates it got nuthin to do with me.

[Irish-dipstick]

ginger? ur a weirdo.

im not sensetive like u emotional ****** well anyway stop spamming my thread.

p.s. ur brother a real homosexual we all know this so please stop.

ur only 17 get a grip u gimp. :laugh: :laugh: :laugh:


:afro:

[#1rapper]

:: #1 shakes his head at this thread being spamed the fuqk up::

[#1rapper]

..i'll set the thread....

[Irish-dipstick]

hoestly you can't even rap(typing) and you couldn't insult a fat homosexual


what's next, you're not going to tell me you like lady boys are you? :ohmy: :guilty:


please stop just leave it i :laugh: at people like u spamming my fcuking thread

[Sideshow Bob]

first off, when someone says your whack, listen. People aren't going to just confront you about it because they don't like you unless they are just flaming ass faggots. and if your gonna contemplate on something being whack, give advice, dumb ass, dont just tell the kid he sucks.

But no doubt, this piece wasn't anything to really boast about. Your flow could use A LOT of improvements first off, and second, walk and talk bull **** that you concluded with. those lines are more played than todays boxing. Up your vocab too... read a dictionary from time to time... it will help increase your mentality of word usage and you'll be more capable to find the word you want to make rhyme. Thus making your verse actually make sense and not sound like a paraphrased pile of heap thrown together. build up a syllable count so your flow will be intact. like say one line has 8 syllables in it, make sure the following line has around 7-10 syllables in it. Flow is the most important thing if you want to breakthrough for the mainstream culture... all you need in mainstream is a beat to match your flow and your set... lyrical content means nothing to rap music. But, if you do want to be an actual figure, write to bring clarity throughout your messages. Set a higher standard for your scripts since your only a textcee on the net. bring more remorse and meaning to what you write and set a moral to the plot of your text. stay up and elevate. 5/10.

pz.

[theman080]

first off, when someone says your whack, listen. People aren't going to just confront you about it because they don't like you unless they are just flaming ass faggots. and if your gonna contemplate on something being whack, give advice, dumb ass, dont just tell the kid he sucks.

But no doubt, this piece wasn't anything to really boast about. Your flow could use A LOT of improvements first off, and second, walk and talk bull **** that you concluded with. those lines are more played than todays boxing. Up your vocab too... read a dictionary from time to time... it will help increase your mentality of word usage and you'll be more capable to find the word you want to make rhyme. Thus making your verse actually make sense and not sound like a paraphrased pile of heap thrown together. build up a syllable count so your flow will be intact. like say one line has 8 syllables in it, make sure the following line has around 7-10 syllables in it. Flow is the most important thing if you want to breakthrough for the mainstream culture... all you need in mainstream is a beat to match your flow and your set... lyrical content means nothing to rap music. But, if you do want to be an actual figure, write to bring clarity throughout your messages. Set a higher standard for your scripts since your only a textcee on the net. bring more remorse and meaning to what you write and set a moral to the plot of your text. stay up and elevate. 5/10.

pz.

I aint gon be one of these cats hatin on you sideshow, but that bolded part is jus wow, anyway you seem like a somewhat knowledgable dude but the smartest peice of advice I've seen given to Irish is from Coates, no doubt.

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